In last month’s installment we discussed telling a visual story. In Part 2 we are digging into interesting composition.
Take a look at this photo. Grab a piece of paper and list everything that catches your attention about the photo. Don’t read anything else until you’ve written at least 7 things (Click on it to see the larger image for even more detail.)
How many things did you list? Let’s see if you noticed what I noticed.
Rule of Thirds
Imagine a tic-tac-toe grid across the photo. The boys are on one line, the horizon on another. Visually the photo has appeal because of the strength of the rule of thirds. More on the rule of thirds.
Leading Lines
Did you notice how your eye enters the photo and moves through the frame? Mine enters at the bottom of the frame and wanders down the road with the boys. The light color of the road draws our eye and the line helps us continue down the road.
The Horizon
The horizon creates a strong point of interest in your photos. Notice how a little less than one third of the frame is dedicated to the blue sky. Including more sky would distract from the subject of the photo. Less would leave the photo feeling chopped off and incomplete. Think about placing the horizon on the top third line of that tic-tac-toe grid.
Layers
Did you notice how the photo doesn’t look flat? There is a clear foreground, midground, and background. Those layers allow the viewer to have more space to look into the photo. Shooting with a narrow aperture keeps the layers in nice focus throughout the frame.
Tonal Contrast
Light in a photo attracts. Dark recedes. Notice how your eye goes to the berry bucket in the little boy’s hand? That is tonal contrast working. The white area draws our eye right to it. It almost jumps out of the frame when you look at it a second time.
Color Contrast
Did you notice any particular colors when you looked at the photo? Color contrast adds to our composition. Notice how the green, blue, and brown work together through contrast? Notice the pop of red?
Shoot With Intent
Thinking about your composition as you pick up your camera you will create more appealing images. Of course, you don’t need to use everything listed for this photo, but consider what you are trying to achieve when you frame your image.


















love this post Katrina – I actually missed it first time so glad you mentioned it in today’s. Love the ‘language’ you use to describe everything – its helpful thx.
Would you be doing a composition course in the future… i am just finishing one and it was awful!! I got nothing (not blowing smoke here) out of it. AWFUL… did i say that already!!??
thx tons for your regular contributions to the DD too, Carole
also the colors of the boys shirts in contrast with the greens and blues and the
“action” lifestyle of the boys
I love posts like this. To get to 7 things, I noticed that same as Katrina, but her language was so much better than mine. I noticed mountains, trees and sky. Katrina sees the horizon and layers. Such a helpful post. Thank you!
The color and the tones I noticed first, but then my attention was drawn by the perspective. The road points toward the right side of the composition, but the trees center the hill in the background as scenics and the perspective is central here.
I was so distracted by all the white (postings, flags ?) on the fence posts to the point that I had to force my eye away from them to see the other things.
White does that in a photo! It draws our eye right to it. Great catch! The white on the posts are the labels for each of the berry varieties.
The bucket the boy carried, it caught my eye early. What are they going to pick? Great article Katrina, thanks!
They were picking blackberries. I loved the moment!