Category Archives: Photography Class

Take your photos from good to great!

How To Photograph Spooky Halloween Photos

Are you ready to get a little spooky with your Halloween photos this year?

If you want to try a little something different that may actually get your kids interested in getting in on the action, grab your flash or a flashlight and your tripod so we can have some fun!

Once they see this technique they’ll want you to shoot them this way over and over again.

The Set Up

  • Find a dark space. The darker the better.

The Camera Settings

  • Set your camera to Manual Mode.
  • Set your focus to Auto.
  • Set your aperture to f/8.
  • Set your to ISO 100.
  • Set your shutter speed to 10″ (5 seconds).

The Prep

  • Take a photograph with the background you will use, no need to have your subject yet.

  • If your photo is completely black, you are ready for the next step!
  • If there is still light in your image move your aperture up a stop to f/11 and shoot again without your model. You are aiming for as little light as possible in your background.

The Photo

  • Now place your camera on your tripod.
  • It’s time to put your subject in the frame.
  • Let your subject know where to stand.
  • Either hand them your flash or a flash light.
  • They are going to stand in one spot in the frame, illuminate themselves, move, and then flash themselves again.

Variations

  • Put yourself in the photo.
  • You or someone else can also light them with the flash or flashlight.
  • If there isn’t enough light hitting your subject, bump your ISO up a bit or raise your flash power. Play with it to see the results you can create.
  • You can set your shutter speed for longer if you’d like, giving them more opportunities to light themselves up. Play with the shutter length

Have fun with it and see what creative results you can get! Your “headless horseman” subject may just get into it too!

 

Katrina is a team member here at The Daily Digi, be sure to also check out Katrina’s CaptureYour365 for more great photography tips! She’ll explore even more fun ways to play with low light situations in her new class Exposure. Class begins October 25th!

P.S. The random winner chosen from yesterday’s comments on the Sugarplum Paperie feature was Rebekah. She won $10 in product from Sugarplum!

 

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Posted in Photography Class Posted on by Katrina | Tagged , |

How To Capture A Panning Photograph

Want to try your photographic hand at a fun technique?

I love to have fun with my camera. I love to see how I can push it, what I can make it do.

What It Is

Panning is a fun technique to add some pizzazz to your photos and your memory-keeping.

It can take a little practice, but once you nail it, you’ll be in love. Be prepared to have a few photos to delete in the process!

What You Need

What do you need to make it work?

  • A camera with the ability to control shutter speed
  • A moving subject – a car, bike, runner, merry-go-round
  • Patience
  • Good light

How To Do It

Start by turning your flash off.

If you know how to use manual mode, you can definitely go there.

For the rest of us we are going to use Shutter Priority mode.

In shutter priority mode, you select the shutter speed and your camera will select the aperture for a correct exposure. This technique is all about shutter speed.

  1. Set your camera to  TV (Canon), S (Nikon and Sony)*
  2. Set your ISO based on the available light
  3. Set your camera to take as many frames as possible - Drive Mode on Canon, Release Mode on Nikon, Continuous on Sony
  4. Set your Shutter Speed, dependent on the speed of your subject (use these as a starting point, adjust accordingly)
    1. Car 1/500
    2. Bike 1/125
    3. Runner 1/50
  5. Stand with your feet firmly planted and your elbows tucked close to your body.
  6. As your subject moves, press your shutter down to lock focus and swivel at your hips, following your subject as it moves. Keep the camera as steady as you can. The steadier you keep it, the smoother your image will be.

The real trick for this technique is to hit that optimum spot where your shutter speed and the movement of your subject moves in synch. Adjust your shutter speed either faster or slower until you find that sweet spot!

A few fun subjects to give this a try with:

  • Children at a soccer game, running down the field
  • Someone skateboarding in front of alley art
  • A car speeding by a busy city street

Have fun with it. Shoot lots. Let me know how your results turn out!

*Is your camera brand not listed? I still love you. Post in the comments if you can’t find the right setting.

Katrina is a team member here at The Daily Digi, be sure to also check out Katrina’s CaptureYour365 for more great photography tips!

P.S. the random winner chosen from the “Just Scrap Reader Challenge” was Lisa. You can see her layout here. She won $10 in product from one of this month’s contributors.

P.S.S. Sue was the random winner selected from those that commented on Tangie’s feature. She won $10 in product from Studio Tangie! :)

 

 

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Posted in Photography Class Posted on by Katrina |

Salvaging Bad Photos

What do you do when you have a photo that is significant and you want to scrap it, but it’s not that great?  What if it’s just an all around bad photo?  There are a few things you can do to salvage photos and make an imperfect photo one that you will want to use on a layout.

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The photo above was taken on my daughters birthday. My son had given her a gift he had made that was very thoughtful and an inside joke between the two of them. After she opened it and they had a good laugh, he jumped up and gave her an impromptu hug. This was unexpected and I wasn’t fast enough with my camera to get a good shot.  This is the photo that I have and I wanted to be able to use it.

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By adding some filters and effects, the fact that my daughter is blurry is less obvious.  Here’s what I did to this photo:

Using my Rad Lab, I added the following filters:

Cool as a Cucumber 58%
Flare Up Faded 100%
Edge Blur 100%

I added a commercial use texture paper by Happy Scrap Girl Designs above my photo layer and set it to  the Multiply blending mode at 86%:

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Last, I added the Brennan and Black Border – Feathered Instagram actions.

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Wendyzine from our team had a lot of tips she has used for salvaging a photo in order to scrap it:

The only copies of these photos that we had were very small, very bad digital scans. But, I wanted to scrap them, so I put them in a film strip and made them small.

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Zoom in and crop out the bad stuff. Maybe this means you only use the tiny foot, or a single toy instead of the entire messy pile.

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Blend photos into other backgrounds. It gives the hint of the image and again, minimized the negative issues. I do this with lower resolution images because blending them in with a high res image can hide those jaggies and artifacts you get when you enlarge.

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Other tips for bad photos…
Try adjusting the levels on images that have colored or faded over time. You can sometimes get some of that original color back. IMAGE>ADJUST>LEVELS. It’s best to adjust in RGB (not CMYK)) and to adjust each channel by itself. So, select the RED channel. Drag the left slider to the right until the point where the histogram starts showing data. Adjust the right slider to the left. Repeat for the Green and Blue channels. Then, return to the RGB channel and see what you have. You can tweak the middle slider here to make it lighter or darker.

Try making photos black and white. It can help minimized some distracting flaws. Or, use selective coloring to block out background noise, or other flaws. Leave the main focal point in color and desaturate the other items. Or, use lomo effect to minimize the background and draw focus to the subject. Masks work great for this too.

Run a filter on the photo. Try converting it to a sketch or a watercolor. This sometimes can make otherwise bad items look intentional.

Finally, sometimes you just have to go find another photo. Sometimes, if we go on vacation and my photo of a particular monument or building doesn’t come out very well, or I forget to take the picture entirely, I head over to a stock photo site and grab one that allows me to use it under a creative commons license (meaning I can use it for personal use and share it online). In the end, scrapping the memory is more important than me having taken the photo.

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Do you have some techniques you’ve used of your own to salvage a photo? We would love to hear about them in the comments!

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Posted in Photography Class Posted on by steph | Tagged , , |

How To Photograph A Silhouette

river silhouette

I love silhouette photos. There is something mesmerizing about the story they hold without showing your subject’s detail. So much is left to the imagination for us to fill in our own interpretations.

How do you capture a silhouette?

Begin with Backlight

Bright light behind your subject is the easiest way to create a silhouette. A few places you can find it:

  1. In a open door
  2. In front of a window
  3. In front of the sun, especially when it is low in the sky, just above the horizon

Once you find the light, let your subject go. Let them play. Let them pose. Or simply find a scene with interesting objects.

Look for Strong Lines & Clean Backgrounds

You can create a stronger image by having less in the photo to compete with your subject. Like most photography, a clear story is easier to convey with minimal distractions in the image and good use of negative space.

Place your strongest lines at the third points in your photos. Avoid cutting through the center of your image with the horizon. The more recognizable your shapes, the more interest you will create in your photo.

CaptureYour365 contributor Jeannie Thiessen created a stunning view of the fair.

Expose For The Light Around Your Subject

Silhouettes are definitely a place where it benefits you to shoot in manual mode although you can be successful with other modes.

  1. Choose center-weighted or spot metering.
  2. Point your camera at the area of sky or light beside your subject.
  3. Adjust your light meter for a correct exposure. You have a lot of flexibility with your camera settings.  Start with an aperture around f/8.  To get a sharp image, choose a shutter speed that you can easily hand hold. Choose the lowest ISO you can get away with for your shutter speed.
  4. Check your LCD and histogram. Adjust your exposure and shoot again if needed.

CaptureYour365 contributer Deirdre Harger used the poor lighting inside the barn to create a dramatic silhouette of her daughter.

Shoot A Few

Try a few different angles and a few different settings.

Bracketing can be helpful in this situation to get a few options to work with. You’ll find the setting either in your camera menus or as a button on the back of your camera. Choose this option to take a a series of photos one stop over and one stop under what you’ve metered for.

Do A Little Post Processing

Once you move the photo into your processing software adjust the levels, shadows and highlights until you get the look you are hoping for. Don’t be afraid to up your blacks just a bit to get a darker silhouette.

Point & Shoot Silhouettes

Want to try it with your point and shoot? Find your backlit subject, turn your flash off, and aim your camera at the sky with your subject in the frame. Shoot. If you point your camera at your subject, the camera will try to expose for your subject losing the silhouette.

Have Fun

Give it a try. Play around. See what you can create. You can see even more silhouette inspiration on my Silhouette Pinterest Board.

What do you love about silhouettes? Questions about the technique? I’m here to help!

Katrina is a team member here at The Daily Digi, be sure to also check out Katrina’s CaptureYour365 for more great photography tips!


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Posted in Photography Class Posted on by Katrina |

Getting The Most From Your Week In The Life

Projects are a great way to improve your photography.  Shooting one thing, taking a photo a day, or taking part in Ali Edward’s Week in the Life are all opportunities to improve your photo taking.

Practice a few things to get the most out of your photo projects.

Shoot More Than One Frame

Consider different angles as you shoot. Above. Below. At eye level. Take more than one photo. Do it deliberately though. Don’t just simply snap multiple photos because you can, select your views and shoot. Try different crops.  One photo may appeal to you more than the others.

Photograph New Things

Look around you right now. Find ten things you’ve never photographed. Shoot them. Always shoot people looking in the lens? Grab some candid photos. Pick a color in your home. Photograph it everywhere you see it. Photograph your house numbers, your car keys, your fingerprint, your signature. Don’t overlook those things that seem mundane, but are integral parts of your everyday.

Place Things on The Diagonal

Diagonals imply motion or action in your photo. A diagonal line can lead the viewer’s eye through the photo, telling more of a story and increasing interest. Place something in the corner of the frame and let it move through the frame. Tilt your camera a smidge or two.

Leave White Space

Give things room to breathe. It can be as simple as stepping to one side to avoid extras in the frame. Stooping just a bit, going for something other than what you usually do.

Fill Your Frame

Step in closer. And then get even closer. Most everyday photos can be quickly improved by stepping in closer and being more deliberate with the subject.

Go With Your Gut

When you think, “I should shoot that,” go with it. Chances are there is an angle, a contrasting color, something of appeal that grabs your attention. Tell that story. I’d rather have too many photos than a lot of missed opportunities.

Shoot at Different Times

The photo you take at noon is not going to be the same as the photo you shoot at 6PM. Light changes and with it the personality of a photo will change. Try different times, different locations in your home to see what you find.

Try A New Technique

Projects focus our energy and intention. They can be a great time to try things you haven’t before. Experiment some.

Always shoot with your dSLR? Grab your phone. Buy a new app. Grab your point and shoot. Shake it up.

Have fun! You are making memories as well taking photos of them!

What are your favorite ways to get more out of your week in the life? And, I’m just wondering, which of those  veggie shots do you prefer?!

Be sure to check out Katrina’s CaptureYour365 for more great photography tips!

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Posted in Photography Class Posted on by Katrina |

Magic Hour Makes Me Think I’m a Photographer

Magic Hour is a photographers favorite time of day to take photos. It is the first hour and last hour of light.  It’s a time when everything looks warm and rich, dare I say, romantic?  I love looking for this time of day to take photos and seem to find it quite often when I’m on vacation with my family; when life is less hurried and scheduled and I can stop to take photos, just because the light is perfect.  Here are some of my favorite “Magic Hour” (or golden hour) pictures I’ve taken:

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Taking photos during Magic Hour actually makes me think I’m a good photographer.  That is probably the biggest reason I like taking pictures during this time of day (not to mention that the word “magic” conjures up wonderful Disney inspired thoughts and memories). Winking smile

I spent sometime doing a little research on this wonderful time of day and how to best capture it with my camera.  I thought I would share some of my favorite resources with you:

If you would like to see more Magic Hour inspiration, check out the Magic Hour Flickr group.

“It’s About Light” on Digital Photography School shows some great examples of shots taken with Magic Hour lighting and without.

Beyond Sunset: The Different Phases of Twilight is a great resource for identifying and shooting in great light after the sun sets.

Beginners Tips for Sunrise Portraits : Part I is full of great tips for shooting in the morning “Magic Hours,” if you are a morning person (I am not).  After you have a chance to practice those, you can try the tips from Beginners Tips for Sunrise Portraits: Part II.

I really enjoyed Advanced Photography’s tips for shooting during Magic Hours.

Shutterbug’s ideas for photographing the Magic Hours are different from the others and range from practical to artistic suggestions.

These are all really fast reads, with tips that anyone can try, using just about any camera.  So, find some magic light and snap away!

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Posted in Photography Class Posted on by steph | Tagged , , , |

Two Photos are Better than One! (Diptychs explained)

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Several months ago, Heather Hess mentioned that instead of doing a photo-a-day project, she actually takes 2 photos everyday. I (Katie) thought that she was just an overachiever (lol!) but then she explained that she likes diptychs. I had never heard that word before so I had to ask her what that meant and she explained that it is a pairing of two pictures together presented as one image. I decided that sounded really interesting, so I did a little research on the topic. It turns out that there is a whole world out there that I didn’t even know about!

I love the definition given in this Flickr group for diptych fans:

The diptych – two photos that fit better together than they did apart. A mini story in two frames, an association, siblings, parent & child, different perspectives on the same theme, anything that works well as a team of two. Get creative! Think in pairs!

 

WHY DIPTYCHS?

Diptychs tell a story that goes beyond one photograph. I love Zalaine’s guest post on CaptureYour365 because it illustrates just how effective diptychs and triptychs (3 images) are for storytelling purposes. A series of photos can better represent a memory, a feeling, or an event.

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This post from Digital Scrapbooking School also emphasizes the storytelling power of multiple images. I love the idea of showing what can happen in just a few short seconds of time. These 2 photos placed side by side allude to what might have happened between shots. Can’t you just imagine the first Lego guy telling the others “Hey! You’ve got to come and take a look at this!”?

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Two photos together show different perspectives of the same scene:

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Diptychs are great for comparisons or then-and-now type of presentations:

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Not only can you share diptychs as a creative way to display your photos, you can also include them on digital scrapbook layouts!

 

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Layout by Katie. Home by Audrey Neal. Foam Stamp Alpha by Sahlin Studio. The Architect font by Heather Hess.

 

 

HOW TO CREATE DIPTYCHS

There are several easy ways to create diptychs:

  • If you are familiar with your photo editing program. You simply need to place all of the images on the same canvas and then size them as desired. You can decide if you want a border to separate the images, or if you want them right next to each other. It’s totally up to you!
  • If you need step-by-step instructions, check out this tutorial from a flickr group member.
  • Many of the programs used for creating photo collages can also come in handy for creating multi-photo images such as diptychs.
  • The mosaic tool on bighugelabs.com is my favorite shortcut for creating diptychs and more! (see my previous post on Big Huge Labs here)

 

I love finding new ways to have fun with photos! I bet you will love creating diptychs too – give them a try!

 

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P.S. The Digi Show has a new website and a new facebook page. Be sure to check us out so you get first news of when a new show is available!

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Posted in Photography Class Posted on by Katie | Tagged , , , , |

Understanding ISO | Completing The Exposure Triangle

ISO is an enabler.

ISO enables you to have a faster shutter speed in low light. ISO is there for you when you need a narrow aperture in low light. ISO completes the exposure triangle.

Just what is ISO?

I like to think about ISO as film speed. The digital equivalent of buying a roll of film in days of old.  Shooting in low light? Grab a high number. Shooting in bright light? Choose a low number? Shooting in different situations? That’s where things got trickier in film days.

Digital ISO solves that frustration. Changing your ISO in each situation gives you digital flexibility.

Remembering to change your ISO becomes the big frustration.

Here’s my work flow to get you thinking about your own.

1. Set ISO by looking at the light I’ll be shooting in

  • Bright & Sunny? 100-200
  • Outside but not so bright and sunny? 200-400
  • Inside well lit? 400
  • Inside not well lit? 800-1000
  • Indoor, very low light? 1000-6400

2. Set Aperture for my desired depth of field/creative look

3. Set the Shutter Speed for a correct exposure as indicated by my light meter (the needle thingy has to be in the middle ) *

4. Check the Shutter Speed to make sure it is fast enough for my situation.

 

  • Need faster shutter speed? Bump the ISO up to enable a bit faster shutter speed
  • Shutter speed super fast, more than I need? Set the ISO to a lower number for less potential noise.

 

5. Shoot

Remembering to set your ISO is all about getting into a routine when you pick up the camera. You will build the muscle memory and get faster at changing your settings. With practice you really will!

Let’s take a look at the “ISO what ifs.”

What if I can’t bump my ISO any higher without getting grain in my image?

Then it’s a trade off. You will need to:

  • Get more light in your scene, either artificial or natural.
  • Settle for a slower shutter speed – prop your camera on something or settle for motion blur.
  • Use a wider aperture (smaller f/ number).

What if I shoot outside with an ISO that is too high?

This happens all the time. You’ve set it high from the photos you were taking the night before and you forget to change it. Your photos may have some noise, but in bright light it won’t be quite as obvious. It isn’t ideal. Just remember to get in the habit of ALWAYS checking your shutter speed. If you are outside and it is around 1/2000 you know your ISO is HIGH!

Why can my friend set her ISO to 6400 and get beautiful images while I set mine to 1000 and have a noisy mess?

Here is where I have to admit, better equipment can create better photos (sometimes).  Newer camera models and models toward the pro-sumer to professional end of camera lines have more sensitive digital sensors capturing sharper, less noisy images at higher ISOs.

Does that mean you need a new camera? Not at all. Know the limits of your camera. Take the same photo through the full range of your available ISOs. Compare your results. Look for that spot where you begin to see noticeable noise that can’t be corrected through noise reduction software. Keep that number in mind when you shoot.

What if I just set my  camera to AUTO ISO?

It is an option. A great option for those of us who forget it each and every time. The drawback? You know the situation better than the camera. It is always going to default to a higher ISO to get a photo. You may not always want to deal with the potential noise/pixelation a higher ISO gives you.

One trick some newer cameras have is to set AUTO ISO limits. A handy little trick to tell your camera DO NOT go any higher than X or higher than X. Nice little compromise setting. You will need to dive into your camera’s menu to change the setting.

So we’ve made it all the way around the exposure triangle of shutter speed, aperture and ISO. They each work together taking cues from the others.  It’s a tight relationship.

What tricks do you use to remember how they work together?

No tricks? Still stumped by how they work? Where do you get frustrated with the three?

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Posted in Photography Class Posted on by Katrina | Tagged , , |

Understanding Shutter Speed

Do you know why your photos are blurry?

Is it you or is it the camera?

Last month we covered Aperture, the “hole” in our lens. This month we are moving on to shutter speed, the culprit behind your blurry photos!

Yes, sometimes you cause the blurry photos, sometimes it is your camera. Let’s figure out why.

The shutter is literally a curtain in your camera. It opens and closes letting light hit your camera’s sensor. The sensor acts as the film, recording your photo. The noise you hear when you press the shutter button is the curtain, opening and closing.

The longer the curtain is open, the more movement you capture.

The faster you open and close the curtain, the less movement you capture.

So blur happens when your shutter speed is too slow.

Seems easy enough doesn’t it?

How do you know what is fast enough? Let’s consider two things, your blur and your subject’s blur.

The Blur You Create Through Camera Shake

You create blur when the shutter speed is too slow for you to hand hold the camera. As a rule of thumb, you want your shutter speed to be equal (or greater than) the reciprocal of your focal length.

Let me put it in simple language.

If you are using a 50mm lens, your focal length is 50mm. You want your shutter speed to be 1/50th of a second or faster.

70mm = 1/70

100mm =1/100

200mm = 1/200

So, the longer your focal length the faster your shutter speed needs to be to avoid blur through camera shake.

The Blur Your Subject Creates Through Movement

If you want to avoid blurry photos when your subject moves, we need to look at a second set of shutter speeds and conduct an experiment!

Remember your eyes from last month’s lesson? This time, let’s consider your eyelids. They work as your eye’s curtain or shutter.

Turn a ceiling fan on in your home. Now, look at that fan and blink quickly. What do you notice? If your eyes work like mine, you see the motion of the fan stop.

Look at the fan again, leaving your eyes open for a long time. The fan should be blurred.

If you can control the speed of your fan, you could slow the fan down, now you can blink more slowly and still stop the movement.

So now that your family has stopped commenting on how strange you are, what did you notice?

The faster the movement, the faster the shutter speed needs to be to stop it. Here are a few quick numbers to remember:

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1/125 – stops everyday motion

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1/500 – stops most children’s motion

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1/1000 – stops most bikes, runners and cars

So yes, you may be able to hand hold your camera at 1/50th of a second without shake, but that may not be fast enough to stop the movement of your subject.

But What If I Want Blur?

Not all blur is bad! In fact, you can use motion blur creatively to provide a sense of movement or action in your photos. The blurred foot about to kick the ball across the field. The hands moving in conversation. So many ways to use it creatively.

Extremities always move faster than our bodies. Use the shutter speeds above as a rule of thumb, and then slow them down just a smidge to capture some movement. Want even more fun? Get our your tripod and really play with movement, avoiding camera shake. More details on tripod use with slow shutter speed is a good subject for a future post!

Photos still blurry after following all of these steps? It might be time to check your focus.

Let’s have a little fun with Shutter Speed with an assignment.

  1. Find a moving subject – a fan, running water, a very cooperative bike riding child, a family member willing to jump repeatedly.
  2. Place your camera in Shutter Priority Mode (TV on a Canon for Time Value or S on a Nikon)
  3. Set your shutter speed to 1/50th of a second. Displayed as 50 in your viewfinder. Your camera will determine the aperture.
  4. Shoot.
  5. Change your shutter speed to 1/125th of a second.
  6. Shoot.
  7. Change your shutter speed to 1/500th of a second.
  8. Shoot.
  9. Change your shutter speed to 1/1000th of a second.
  10. Shoot.

Compare your photos. What do you notice?

Share the tricks you use to remember your shutter speeds.

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Posted in Photography Class Posted on by Katrina | Tagged , , |

Trendwatch: Changing Photo Tones

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Layout by Heddy, supplies: Cold Whisper kit by Deca Designs; Color Pops Vol. 1 template pack by Queen of Hearts; Bakery Bliss actions by Lilly Lane

One big trend I have noticed over the last several months is scrappers changing photo tones to match a mood, theme, or products in a layout.  I thought it might be fun to share some examples with you.  It might be something new and fun to try, if you haven’t.

Here’s what Heddy said about the photos in the layout above:

I changed the tone to make the photos bluer in order to complement the kit I was using. I was lucky in that Lilly Lane’s actions worked perfectly to achieve the tone I wanted! I usually test bunch of LR presets and/or actions (I have hundreds!) and generally one will work for me.

Here’s a look at the layout without the adjustments on the photos:

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Layout by Jenn, supplies: On The House template by Jenn Lindsey, Tuesday’s Morning Coffee collab by After Five Designers

Here’s what Jenn said about changing the tone of the photos in this layout:

I wanted the tone of the blended image to better match the abundant textures in the kit I was using, so I first made a copy of my original image, and then desaturated the bottom copy. The top copy I left in its original state and just lowered the opacity to 20% to give just a hint of color. You can see the original tone of the images in the pictures placed just off the edge of the page.

You can use actions or presets to change photo tones or you can play with adjusting the hue and saturation.  Here are some tutorials to get you changing tones on your own, without actions:

Tutorial on adjusting hue and saturation in photos
Drastically Change the Mood of Your Photos
How to Create a Split-Toned Image Using Photoshop
Easy Sepias
Better Black and Whites

Here are a few more layouts where the tones in the photos were changed:

image Layout by Nettio, linked to credits

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Layout by Som, supplies: One Little Bird

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Layout by Paislee Press CT member, supplies: Paislee Press

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Layout by Heather Hess, linked to original credits

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Layout by Heather Hess, linked to original credits

Changing the tones of a photo is pretty simple to do and can be super fun.  It can also create a very uniformed look in a layout as well as reinforce the mood.  Do you change the tones in your photos before you scrap them?  Link us up to your examples, we would love to see them!

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Posted in Photography Class, SCHOOL of SCRAPPING Posted on by steph | Tagged , , , |